Daily Writing Check-in: January 22, 2016

Words/Time:  523 words of writing practice writing out something that was swimming through my mind all day today. I would have done more, but my husband wanted to play a game we started earlier in the week. It’s called Her Story, and we’re very nearly at the end.

Tomorrow, we’re doing another escape room. The owners of one of only 3 escape room companies in our immediate area, and our current favorite, have asked us to beta test their newest room. So we’re going to do that tomorrow. (The room is already open, but they want us to give them detailed feedback after we’ve finished.) Hopefully I’ll be home early enough to get some work in tomorrow.

Daily Writing Check-in: January 21, 2016

Words/Time:  308 words of writing practice followed by half an hour of working on “Pursuit of Power.” Sort of. I got it into my head that the prologue I wrote for the novel wasn’t going to work for it anymore, because it focuses on the greater mystery that won’t be solved in this book. So the prologue is unrelated enough to not be worth including. And then I had a sudden idea for a different prologue. Not that there has to be a prologue, I know, and therein lies the problem. One of the problems. First, the idea I have for a prologue, which is actually directly related to the main villain in “Pursuit of Power” would be a rather long prologue. And second, in doing some research for how long is too long for a prologue (I know there’s no set length, but I went looking for opinions), I found out that prologues are actually strongly disliked in general. I didn’t realize so many people just skip the prologue. I’ve never been that kind of person, but apparently many are.

Is the story of how the villain (who you won’t even meet in the book for a while) became who or what he/she is, which isn’t integral to the story, of interest? I suppose that’s too vague a question, because that could be anything from a kid who wasn’t loved enough and vowed to never be in a position to need anyone again to a guy whose entire DNA was rewritten and he became a literal monster.

So some questions for anyone who comes across this post:
Do you generally read or skip prologues in books? What kind of information do you hate or love to see in a prologue?

Daily Writing Check-in: January 20, 2016

Words/Time:  282 words of writing practice. Also 1.5 hours working on the rest of the timeline for “Pursuit of Power.” There are a lot of places in the story where I wrote vague amounts of time. Something lasted for “several months” or happened “after a few weeks.” Of course it’s much easier to do this while writing than to bother to come up with a specific amount of time. Creating a timeline off that is a little annoying though. I muddled through, and some entries can always be shortened or extended later as I fit other stories during or after this one. I use Aeon Timeline for my timelines, and it’s the most helpful writing software I’ve ever used.

I think my next step will be to plan out a sketchy idea of the events that will take place for Alexander, the main character in this story, after this book ends. From what I can tell from my timeline, the next story involving Alexander has to take place 4 years after this one ends. I think I can make that work

Daily Writing Check-in: January 19, 2016

Words/Time:  20 minutes finishing the grammar check of “Pursuit of Power.”

My next step is to finish the timeline of this story that I started back when I outlined it, but only got as far as the last point that this story connected to “Pithea.” That was all that mattered at the time, because I needed to make sure both stories lined up accurately. “Pursuit of Power” goes past the time that “Pithea” ends, so I need to finish the timeline.

Daily Writing Check-in: January 18, 2016

Words/Time:  45 minutes doing some preliminary edits to “Pursuit of Power.” I started by going over the notes I made while I was writing the first draft, notes of things I wanted to make sure to change later, or add, or take out. Then I went through some of the brainstorming I’ve done since then, getting an idea of what I think should happen after the end of this story, because it’s a continuation and is important that I know what to be setting up for later. And then I finally went to the draft and started a full spelling & grammar check. I’d done a spelling check before, shortly after I finished the first draft, but had avoided the grammar part. There are a lot of extra spaces between words, and some lower case letters at the beginning of sentences. I figured it was better to get rid of them now than find them when I start my first revision.

After the grammar check is done (I’m halfway through it so far), I’ll try to outline the broad points of the follow-up story before I start into revising.

A Monday Moment: The Play

At the beginning of this year, I made a new goal for myself to do a little writing practice every day. I already try to do some form of writing work each day, hence my daily check-ins. But most of that is revision, and I want to write a little too.

Every Monday, I’m going to choose one bit of writing practice from the previous week and post it here. If I haven’t done any writing practice all week, I’ll have to make sure I do some on Sunday or Monday to have something to post. So there’s an extra little push there too.

I won’t revise any of this, except for a spell-check. They’ll probably rarely be longer than 500 words. The prompt, if I used one and if I choose to include it, will be at the bottom. And I can’t even call them all stories, because there’s not always a beginning and end. Sometimes it’s just writing.


Judy tried not to look at her daughter too often during the play, but she couldn’t help herself. She’d seen the play before and remembered all too well the emotions she’d experienced throughout. Natalie was old enough to understand what was going on—the overt and subtle themes, consequences to actions, and feelings that went along with it all.

She worried that glancing over as often as she did would disrupt Natalie’s concentration on the story, but every time she looked, the girl was so entranced that she didn’t notice Judy’s eyes on her.

As the story ramped up to the climax, tears sprang to Judy’s eyes. She knew what was coming, and she was already reacting to what hadn’t happened yet. Natalie was yet unaffected, but Judy couldn’t wait for that one moment.

As the climax unfolded, Judy felt Natalie’s hand grip her arm. She looked over and saw Natalie sitting forward in her seat. She was still staring straight ahead, but had reached out to her mom for some comfort. Judy placed her other hand over her daughter’s and turned her face back to the stage. Her eyes darted between the actors on the stage and Natalie’s face.

Her own heart nearly broke when she saw tears reflecting the stage lights. Natalie was barely breathing, she was so caught up. When Natalie shook her head slowly and then closed her eyes, Judy wondered if she’d done the right thing. Maybe Natalie was too young after all. The girl seemed to realize even before Judy had that it was over. It was too late. The hero’s life done—there was no way around his necessary sacrifice. And it was painful to watch.

Though she’d planned to keep an eye on Natalie’s reaction out of the corner of her eye, that moment that Judy had been waiting for—THE moment, the triumph, the hero saved—had all of her attention. She was swept away like it was her first time. At least until she felt Natalie’s grip tighten even more. Blinking past her own tears, Judy looked at her daughter. Natalie’s cheeks glistened in the dim light, and mother joined her daughter in weeping for the hero.

As the final moments of the story played out, Judy knew she’d made the right choice. She wouldn’t point out later that she’d been right when she insisted Natalie come with her, even though it wasn’t as exciting as a movie or television show. She wouldn’t explain to Natalie what a deus ex machina was, or the history behind it. She wouldn’t ask her to identify themes and symbolism in the play. She would just ask for Natalie’s thoughts and then ask if she’d like to go to another play with her mom someday.


“Like a hero who takes the stage when we’re on the edge of our seats saying it’s too late…”
-MercyMe, “Flawless”

Daily Writing Check-in: January 17, 2016

Words/Time:  519 words of writing practice using my Writer Emergency Pack again. I brainstormed possibilities of what could happen after “Pursuit of Power” with questions about where there hero might travel to be out of his/her comfort zone.

“Pursuit of Power” is still something of an enigma to me. I started with the main character, Alexander’s, father dying under mysterious circumstances. When Alexander finds a small clue that suggests it might not have been an accident, he starts down a path from which there is no return.

After 100,000 words, though, the story doesn’t end. His searching leads him down a path only peripherally related to his dad. He draws attention from some very powerful people, including one particular woman who is basically the leader of a crime syndicate. So then the book becomes about him and her sort of squaring off.

The book ends with no answers to his father’s mysterious death, or to some of the other questions that have come up in his searching. So there would have to be another book. I’m thinking it might behoove me to at least have a good idea of what’s going to happen in the follow-up, before I could complete final revisions on the first book, so lately I’ve been brainstorming that. To be honest, I’ve never thought this far in this story arc before, so it’s all new planning.

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Daily Writing Check-in: January 16, 2016

Words/Time:  620 words of writing practice with an idea inspired by a song I heard a few times on the radio today while my husband and I were on our way to and from the theater to watch the new Star Wars movie. The song was “Flawless” by MercyMe, and there’s one line in it that has struck me since I first heard the song. Today was not the first day that it influenced my writing.

Daily Writing Check-in: January 15, 2016

Words/Time:  620 words of writing practice using my Writer Emergency Pack for the first time. With The Triangle published and “Pithea” as far as I can take it for now, my attention turns to “Pursuit of Power.” I’m going to wait at least until Monday to start into revision, partly because my brain could use a rest and partly because I’m not even sure where/how to start. But I didn’t want to let the day go by without writing. I wrote a little bit about the MCs in “Pursuit of Power,” though it was about what would come after that book. It was more enlightening than I thought it would be.

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Daily Writing Check-in: January 14, 2016

Words/Time:  45 minutes working on another submission for “Pithea.”  I finally buckled down and started on my first query letter. It is nearly done; there’s just one small line that I can’t quite decide how to word. I think (fingers crossed) that after this, submitting to more places will be easier, because I will have created the different documents that I can alter as I need. Except the CV. I’m still unsure what to do about that, so if it comes up…I may spend another 3 days researching.

The Triangle releases tomorrow(!), which I’m a lot more nervous about than I thought I would be. The proof copy of the paperback came today too, almost a week sooner than projected. So things are moving really well on that front.