Doon
by Carey Corp & Lorie Langdon
My rating: 1 / 5
Genre: YA fantasy romance
When Veronica starts seeing a blond man in a kilt in various places, including in Scotland, where she travels with her best friend, she is certain there’s more going on than her mind playing tricks on her. Then she begins to hear about a mysterious land that is only accessible to those who learn the secret, and she just knows her visions are leading her there. Taking her best friend Mackenna along, she stumbles into the mythical land of Doon, where medieval meets modern, the blond man she’s been seeing is a prince, and an evil witch threatens to destroy the land.
Before I discuss plot or characters, I want to address the content. You may have seen in some places that this is a Christian book, though it’s not strongly advertised to be such. My first clue was the publisher, which is listed as Zondervan in some places. It’s actually published by Blink, a YA imprint of Zondervan, which purports to publish clean books. I would not call this book clean. It’s not explicit, but it’s way more graphic than I prefer, and there is even some language. After several references to “hot” and “delicious” guys, I knew this wasn’t going to be quite what I was expecting, but it really bothered me to see the references to “girly parts.” And then it got worse… I won’t go into more detail myself, but I think this review on Amazon is very comprehensive, even to the point of pointing out things that didn’t bother me.
As to the plot and characters, if the above paragraph was my only issue with the book, I might have given it 3-4 stars (though it’s hard to say, especially since it really is billed as Christian in some places, and that is a huge problem for me). But to make it worse, I didn’t like the characters at all. Veronica is far too concerned about the possible romance with Prince Jamie, to the point where it distracts her from way more important matters. The book is written in 1st person POV, mostly from Veronica’s perspective, but it switches to Mackenna sometimes. There’s barely any difference in their voices, so it’s really hard to remember when the switch has been made. The main difference is that Mackenna is super into musical theater, so much so that she often thinks and speaks imperatives like, “Sweet Baby Sondheim!” and, “For the love of Lerner and Loewe!” (who, by the way, made the musical Brigadoon, of which this book is a retelling, though I really know nothing about that). It’s a bit over the top, really…real people don’t talk like that. As for the supposedly swoon-worthy princes, as much as I dislike that term, the only way I can really say that they are such is because I’m told. Literally. Right there in the book, it tells me that Prince Jamie makes all of the girls swoon. Okay, so he’s unnaturally good-looking…being “swoon-worthy”, to me, is about much more than that, and Jamie is mostly just a jerk for much of the book. He has his reasons to keep Veronica at bay, but he also leads her on only to shut her completely out when he remembers that oh, she might be in league with the witch!
And so, that leads me to the issues with the plot. The evil witch has been banished from Doon, but is always looking for a way back in to destroy it. Every hundred years (real time), the bridge between the real world and Doon (the Brig o’ Doon) opens to allow people from the real world who have been called to Doon to enter and decide whether they want to stay. Because Veronica and Mackenna came 2 weeks before that time (though how the people of Doon know when it’s going to open, I don’t know, since the amount of time that passes between each Centennial fluctuates in Doon), most of the people of Doon assume they’re working for the witch. They used magical rings to get in, rings that had been used to pass through the barrier outside of the Centennial before, but that doesn’t matter. The possibility that they might be working with the witch is too high for them to be trusted. Except that while they wait for the bridge to open naturally, so the two newcomers can leave Doon and let everyone feel safe again, they take them on tours of the kingdom, let them spend time alone with the nation’s princes, and conveniently forget that they might be evil, so that the romances can progress. And why did no one take note of the incredibly obvious transformation taking place right under their noses?
Add to that the “Calling” angle that is equated to soulmates finding each other, which leaves me a bit puzzled. Are they saying that if two people are brought together by a Calling, then they will have a perfect marriage? Never have to work on it? Never even consider divorce. I don’t necessarily have a problem with the general idea of soulmates, as I believe God can and does bring two people together as part of his will (though it’s generally much less obvious in real life than the Calling is here, and we can more easily decide not to follow that leading). But it seems to me that two people who meet through a Calling could easily become lazy in their relationship because it was “meant to be” and end up even unhappier than two people who met the normal way. It’s a huge flaw in what is supposed to be a romantic story, if you ask me, but I suppose the reader isn’t really supposed to think too much past the “happily ever after” at the end of the current story. On the other hand, this series goes on to further books, so maybe the authors will delve into that more. I won’t be reading more though, so I’ll never know.
I learned long ago that I should avoid contemporary romance, because I rarely like it. Though part of this book takes place in a sort-of-in-the-past land, it’s still completely contemporary. Veronica and Mackenna both make sure the reader knows that the other is beautiful and adored by men, while each thinks of herself as plan, hideous, or whatever, which made me roll my eyes. All of the people of Doon have the same accent, yet whenever Jamie says Veronica’s name, it’s written as “Verranica,” yet everyone else just says her name normally…I guess because it’s supposed to be romantic? I don’t get it, and I didn’t really get this book. And I really don’t get why it was published by a company that is said to publish clean fiction and is associated with a Christian publisher.
Find out more about Doon
If you’ve read this book, or read it in the future, feel free to let me know what you think!
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