The House at the End of the Moor
by Michelle Griep

My rating: 3 / 5
Genre: Historical Christian romance

An opera singer in hiding and a wrongly convicted jewel thief collide on the moors when she finds him half-dead and nurses him back to health. When the necklace Oliver is meant to have stolen are found in Maggie’s possession, together they embark on a journey to clear his name and fix some wrongs in her life too. All the while they must stay just one step ahead of the brutish officer who is intent on returning Oliver to prison.

I was right there in this book for the first half or so. There were some narrow escapes and Oliver in a dress was pretty funny. I had my ups and downs with the characters. And then by the second half, things began to get a bit repetitive. It felt like it took longer than it should have for things and relationships to move forward. The plan to catch the real bad guys always felt flimsy at best. And the ending was a little strange.

I liked Maggie well enough, but I didn’t really care for Oliver. He was violent and usually seemed to chalk it up to the victim deserving it. I didn’t agree with him most of the time. I really liked Cassius, though, though I won’t say who he was exactly, so I don’t spoil anything. I even liked Nora, for all she was in the story. And then there was Barrow, the officer trying to return Oliver to prison. And I’m sure we’re supposed to dislike him, but violence and wholly inappropriate behavior, alongside a self-righteous attitude was a bit too much for me. Even the pay-off for him, which I began to suspect and frankly would have been really disappointed if the build-up led to nothing, didn’t satisfy me.

This book is rife with coincidences. Besides the fact that Oliver happens to end up in the house of the woman who ended up with the necklace he was accused of stealing, he was at her last performance before she went into hiding. They both want to bring down the same man. And then near the end of the book, there’s this huge, out of nowhere coincidence that I do not understand why it was even written into the story.

I also don’t understand the perspective and tense choices the author made for this book. From Maggie’s POV, it’s 1st-person and present tense. For the other POVs (Oliver’s & Barrow’s are the only ones I can remember), it’s 3rd-person and past tense. At times, changing from one to the other left me feeling a bit disoriented. I have never understood the decision to do something like this.

There was an interesting focus on father-child relationships that I liked. I appreciated the atmosphere presented especially while on the moor. Once the story moved to the city, I missed the moor. The Christianity in this book was a bit muddled. Besides Barrow and his warped sense of God, I’m not sure where Oliver ended up at the end. It almost seemed like his redemption came from the love of the woman, the fact that she was willing to marry him, not from God.

Overall, I did enjoy the book to a degree, but was kinda glad when it was over. I was excited to read this book, because I’d read a Christmas novella by the author last December and really liked it. I’m not giving up on Michelle Griep yet and have my eye on a few of her other books. I would recommend this book for fans of Christian romance, especially the historical variety, and judging from other reviews, I’m in the minority again anyway. So if you like this kind of book, please read those other reviews too!

Thank you to Netgalley and Barbour Publishing, Inc. for providing me a copy of this book to review.

Find out more about The House at the End of the Moor
Publication date: April 1, 2020

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