When I was in high school, I took a creative writing class. It’s the only one I’ve ever taken, and I couldn’t tell you how alike or different it was from other such classes. There was a process we went through before we ever started writing for the short story part of class that has stuck with me for fifteen years. It was a process of coming up with multiple story seeds, before then choosing the one we wanted to develop into a story. One day we were instructed to come up with a setting and character that didn’t really go together. For example, I chose a British soldier at a Minnesota lake. Under that, it says:
“Why–the queen of England decided she wanted a vacation in a secluded spot and he was assigned to guard the family.
Conflict–the people who live around there are secretive, don’t know why he’s there, and don’t want him there.”

The scenario sounds ridiculous to me now, and I never wrote any further with that idea. However, for some reason, this exercise has stuck with me for a long time.

On the other hand, what is just an innocuous picture–a field of wildflowers–became the short story I turned in for that class. A short story the teacher loved and helped me to remember that I enjoy writing (I had written a lot in elementary school, then abandoned it for poetry). In an essay in that class, though, I apparently wrote that I didn’t think I’d have much reason to write fiction again in the future. That was fun to dig up from my past.

This colorful, foggy field became the setting of a frenzied, fear-filled search for a briefcase and a race against time for the protagonist in the story I wrote from it.

At the same time I was taking this creative writing class, I had the same teacher for English class. In English, we would get vocabulary lists, and for every list, one assignment was always to write some sort of paragraph or short story that incorporated at least 5 of the vocab words. A few of those ended up being great sources of creativity for me. One, a one-page short story, my teacher said was written well enough and had good enough character development that I could have turned it in for my short story in creative writing.

The point of all of this is to say that, while inspiration can certainly come from anywhere and sometimes nowhere, it is possible to create ideas using various methods and stimuli. Images, sounds, prompts, word lists, outlandish character/setting combos, even story scenarios provided by someone else, can produce seeds that may or may not be worth developing. The key is to keep all of the potential seeds somewhere that can be referenced later. One important rule of writing–never throw anything out. You never know if you’ll want to be able to look back at it 15 years later and write a blog post about it.

Dream for yourself: If anyone reading this wants to try their hand at some of these story seed starters, I encourage you to look at the image above, describe it in vivid detail, and use it as a setting for a scene. Then see where that takes you. Or, use the following list of words to create a paragraph or two–it can be a setting, a short story, or even a scene from something larger. (Remember, it’s from a school vocab list. If you don’t know the words, look them up! Expanding your vocabulary can always help with writing too.) It doesn’t have to produce a full story–just spark an idea. If anyone does write anything from my suggestions, feel free to share with me! I’d love to see what others come up with.

noxious
sub rosa
tete-a-tete
parvenu
a capella
postprandial
minatory
venal
quid pro quo

Continue reading below to read the short story I created with the words above (if you’re considering writing from the list yourself, don’t read mine yet; it’ll skew your ideas).

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