The Daughter of Rome
The Emissaries #3
by Angela Hunt

My rating: 4 / 5
Genre: Biblical fiction

Spoiler notice: This book will contain some mild spoilers from the previous two books in the series, The Woman from Lydia and The Sisters of Corinth.

Under Nero’s reign, Calandra helps her sculptor father create a piece for a very important Roman, who then commissions him for something greater. Meanwhile, that important Roman’s son Hadrian is tasked with visiting the imprisoned Christians regularly to make sure they’re not trying to cause a revolt. But when a fire sweeps through Rome and destroys more than half of the city, leaving many dead and others homeless, Nero places the blame on the Christians, despite their hospitality to the hurting and displaced. With friends amongst this persecuted group, both Calandra and Hadrian struggle to understand why Romans are so quick to accept this explanation.

I was expecting something quite different from this book, given the way the previous one ended. I knew there would be a new main character, but I thought we’d see more of the characters from the previous book, and I particularly thought we’d get more of a follow-up to the previous book’s main character’s sister, who ended on such a tragic note. Though Mariana and Marcus, as well as Euodia and Ariston from the first book, do appear in this book, they have pretty small parts. However, Calandra’s and Hadrian’s stories are engaging in their own rights. The explanation of how sculptures are crafted, especially large bronze sculptures, was fascinating (though eventually I did start to skim some of the details). Hunt’s author’s note puts some of that into perspective, but I really appreciate her research and her way of weaving it into a captivating story. And speaking of that, there are so many other historical elements that Hunt brings to play in this book, from speculation that Nero started or at least allowed the fire in order to make more space for his palace, political unrest in Rome, and specific well-known early church founders that are generally believed to have died in Rome during this time of persecution.

Hunt’s descriptions of the various deaths during the fire and the persecutions are vivid enough to bring them to life. Though let that be a warning to those who would struggle with the violence and bloodshed. Both of these sections of the book had me in tears, and the latter (the persecutions) left me thinking of how much I complain about petty things in my life, when I have it so very much better than many others even around the world now, who are persecuted for the very God that I am free to worship every day. It really puts things into perspective.

However, I feel like there is a pacing issue here. After the persecution, the story kind of takes a bit of a drop-off, and I don’t feel like it ever really comes back. More of interest does happen, but it feels like a really long conclusion after a climax, even though I’m sure it wasn’t intended to be the climax. Still, the story overall kept me hooked throughout, partly because, unlike the main characters in the previous two books, Calandra is not a Christ-follower at the start of this book, so I appreciated her arc. A few major moments happened near the end of the book that may have felt just a little too convenient, but really, when taking in the larger story, they actually make a lot of sense. And I would have been really disappointed without them.

Calandra’s POV is first-person and Hadrian’s is third-person. I’ve never been a huge fan of that kind of back-and-forth, but on top of that, there was at least once that I noted that Hadrian’s slipped into first-person for a line or two. It was a little jarring. In general, this book was my least favorite of the series, but I still highly enjoyed it, and I recommend both it and the series for those who like biblical fiction, especially from the time after Christ. The books could possibly be read out of order, but I think you’d lose a lot of the richness of the full story doing that.

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