romance

Book Review: A Noble Scheme

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A Noble Scheme
The Imposters #2
by Roseanna M. White

My rating: 5 / 5
Genre: Christian historical mystery

Gemma Parks keeps to the shadows in her capacity as newspaper columnist writing about high-society functions, which is also useful for the investigative team she’s part of, the Imposters. The Imposters normally work for the wealthy, charging a lot of money for their services, but when a working man begs their help to find his kidnapped son, they can’t refuse. Unfortunately, this case puts Gemma in close proximity with Graham Wharton, one of the other Imposters, with whom she used to have a relationship before something went terribly wrong, and she’s been avoiding for almost a year since. Graham, for his part, hopes that this case will end both with a return of the boy to his parents and a return of Gemma to his side.

I loved this second book as much as the first, with the focus turning from Marigold and Merritt to Graham and Gemma. Marigold’s brother Yates, leader of the Imposters, again provides the third POV for the book, and I was happy to continue seeing his side of things. In the first book, we’re given allusions to something causing a rift between Graham and Gemma, but no details. I knew that would be brought out in this book, then, and I was a little annoyed when the “why” was danced around for over 1/4 of the book. Little hints were dropped, maybe even big ones, but I definitely missed the big picture until it was plainly stated (actually, I was spoiled by a review on Goodreads, so be careful what you read). When I did realize the full story, I understood completely why it was held back for so long. It broke my heart and made the journey for these two so much more than I imagined (I suppose what I imagined was an almost humorous tiff that just needed a quiet moment together to put to rights). The progression of their story brought tears to my eyes more than once, and I love the way their views of God were just as big a part of it as were their feelings for each other. Rather than a twisted idea that Graham’s reunion with God was somehow dependent on him (re)gaining the love of a good woman, which I’ve sadly seen in other Christian books, I felt this book had its priorities straight. That’s all the more I’ll say on this subject to avoid spoilers.

Like in the previous book, the case the Imposters work on isn’t a huge mystery, at least in regards to the culprit(s) involved. However, there were certainly facets to the villainy that were kept back and revealed at moments that allowed for suspense and even more emotion. The climax maybe got a little over-dramatic for my taste, but not even enough for me to lower my rating, because of how much I loved the book as a whole. I’m excited to see the next book in the series has already been announced; I love the synopsis so much, and I think that giving us little glimpses of Yates on the way to “his” book really heightens the anticipation of that third book. I highly recommend this book for fans of Christian historical mystery (this is set during the Edwardian era in London).

Thank you to Netgalley and Bethany House for providing me a copy of this book to review.

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Book Review: The Mistletoe Countess

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The Mistletoe Countess
Frederick & Grace Mystery #1
by Pepper D. Basham

My rating: 2.5 / 5
Genre: Historical Christian romance

When Gracelynn’s older sister can’t fulfill her obligation to marry an English earl, threatening to scandalize both families involved, Grace offers to save all parties and marry Lord Astley herself. The earl, Frederick, takes some convincing, but soon enough, they’re on their way from America to England as husband and wife—and virtual strangers. Grace will rely on her extensive reading background to infuse some romance into their marriage and also to try to solve the mystery of why so many accidents happen around her new husband, whose elder brother, the first earl, died of slightly questionable circumstances.

I read this book because I like mysteries and historic fiction, but the mystery was just relegated to too small a part of the story. It was solved a little too easily and wasn’t hard at all to figure out. And it was bogged down by the building of the relationship, both emotional and physical, between the main characters and the author’s drawn-out writing style. We’ve all heard the adage “show, don’t tell” for authors, but if you’ve ever wondered if it’s possible for too much show and not enough tell, this is that book. It’s okay to sometimes just say someone smiled instead of saying that the corners of their mouth turned up (or something like that) every single time someone smiles.

I can’t believe I’m at a point where I feel like there needs to be “steam” levels given for a Christian romance novel. Marriage of convenience stories in particular seem to make authors feel like it’s okay to describe the physical relationship between the main characters far more than would otherwise seem acceptable in Christian fiction. This is one of the worst I’ve read, with a lot of description given as the couple ramped up to their first time together as husband and wife, as well as subsequent desires and flirtations. I realize the couple is married, so what they are doing is okay for them…not for me to be part of. And even outside of the graphicness of the physical aspects of their relationship, there’s such a focus in general on kissing (especially from Grace’s naïve perspective) and repetitiveness in the descriptions of what each thought of the other, especially physically speaking and smells…okay, Frederick smells like amber…we get it… 

Moving past these issues (which is hard to do, because they permeate the story), the characters were okay. I liked Frederick’s understanding that the poor choices he’d made in the past would affect his future with his wife. He had a sort of redemption arc, though the focus seemed to be more on being redeemed by Grace’s love than Jesus’s sacrifice. Grace, on the other hand acts like a 15-16-year-old, so I was surprised to find out about a quarter into the book that she’s almost 19. I’m not sure if we’re ever told Frederick’s age, but the difference felt weird to me. Grace is a heavy reader and tends to live her life as if she’s living out a story, to what felt like an unrealistic degree. She reminds me a lot of Anne of Green Gables, except that where Anne matured as she grew up, apparently Grace didn’t. It smooths out a little later on, but she really just seemed so childish. 

This is the first book in a series marketed as mysteries. I’m hoping that the newlywed intensity of this first book will smooth out, though given that the next two books involve the couple trying to go on or actually going on their honeymoon, my hopes are low. Still, I’ll give the series another try. As for recommending this book, if you are interested in the genre and aren’t bothered by the mostly personal-preference issues above, please check out the link below to see what others thought. You might like it more than I did (experience tells me that you will). Though don’t expect much of a Christmas atmosphere to this book, because it’s only barely related to the season.

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Book Review: The Lassoed by Marriage Romance Collection

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The Lassoed by Marriage Romance Collection
by multiple authors (see details below)

My rating: 3.25 / 5
Genre: Christian historical romance, short stories

This book contains short stories from 9 different authors, taking place in the late 1800s, mostly in the western USA. Each story contains a marriage-of-convenience-type romance, which is my favorite kind, when done well. My overall rating for the book is an average of my ratings for each story, shown below. Below the ratings is a brief review for each story.

“Substitute Bride” by Angela Bell – 5 / 5
“Bridal Whispers” by Angela Breidenbach – 4.5 / 5
“Mule Dazed” by Lisa Carter – 2 / 5
“Sweetwater Bride” by Mary Connealy – 1 / 5
“A Highbrow Hoodwink” by Rebecca Jepson – 4 / 5
“Not So Pretty Penny” by Amy Lillard  – 2.5 / 5
“All’s Fair” by Gina Welborn – 3.5 / 5
“The Colorado Coincidence” by Kathleen Y’Barbo – 3 / 5
“Railroaded into Love” by Rose Ross Zediker – 3.5 / 5

“Substitute Bride” (5 / 5) is the only story that takes place in England, diving right into a story patterned after Jacob and Leah (from the Bible). It’s short enough not to get too much into the deceit that brought Elliott and Gwen together, but if too much time had been spent dwelling on it, it might have gotten annoying. The culmination of Gwen’s self-perception and Elliott’s odd hobby was very well done and the only moment in this book that brought tears to my eyes.

“Bridal Whispers” (4.5 / 5) is full of bad assumptions and misunderstandings, but not so much to make me roll my eyes (and that’s considering I have a low tolerance for these things). In fact, they were probably completely understandable in this story of a widower marrying the cousin of his late wife. I have to say, though, that the long shadow of the first wife would have been a huge problem for me, especially when Burton took her portrait into his bedroom so it wouldn’t hang over his new wife.

“Mule Dazed” (2 / 5) contains one of the worst male leads in the book, the local sheriff forced to marry a woman he was locked in his own jail with overnight. He spends most of the story lusting after his wife, Hattie, while still meanly telling her that he can’t wait to be rid of her when the judge returns and they can annul their marriage. Then he blames her for his own rash outburst in bidding higher than necessary at a basket auction. He’s just a jerk!

“Sweetwater Bride” (1 / 5) has the one male lead that’s worse than the one in the previous story. He’s not quite so rude overall, but he hogties an isolated woman who lives alone in a secluded valley so that he can take her to his parents, because she’s afraid to leave her valley, even though he first offered to bring his parents to her. Then he kisses this girl that he knows is innocent and naive and knows nothing of men or the world in general. How creepy! On top of that, this woman who has barely seen anyone but her dad for years somehow knows that the eyes of the guy who kidnapped her are an unusual color, plus she stops talking like someone who’s been stunted socially far too quickly. Add the author’s writing style that is full of poor grammar and confusing dialogue, and it’s my least favorite in the collection.

“A Highbrow Hoodwink” (4 / 5) is nice and sweet with an overall theme of forgiveness and leaving the past behind. I wasn’t a huge fan of the plan to lie and say that Katie’s son was Henry’s, rather than his brother’s, in a Christian setting, since at no point do they regret or repent of this. But I did like the way everything ended up with this small family.

“Not So Pretty Penny” (2.5 / 5) is not bad, but not great either. The romance part wasn’t bad, but the rest of the plot was weak. Wash, the male lead, was wrongfully convicted of killing his sister, framed by the actual killer. And Wash’s plan now is to find Wash and somehow get him locked up for the crime, neat and simple, even though the man had already convinced everyone that Wash was the guilty one based on only his own testimony? There was a major unexplained coincidence in the climax, and I just do not buy this happy ending.

“All’s Fair” (3.5 / 5) is the first story in this collection that I felt like would have been better with room to expand. A quickie marriage of a man and woman on opposite sides of a family feud to keep members of both side out of prison calls for a bit more depth than this story was able to get into, and there really wasn’t much resolution. On the other hand, though the story starts with an incident that leads to strong hatred between the two MCs, and by the time the bulk of the story starts 4 years later, it’s been mostly resolved on both sides (independently of each other), so the only obstacle to this couple’s happiness is weak and feels contrived.

“The Colorado Coincidence” (3 / 5) was an overall forgettable story for me. I struggled to remember much about the story for the review. So it wasn’t bad, but since I’m not a fan of major coincidences and this story hinges on one, it wasn’t destined to be a favorite. I was at least relieved that Mack didn’t trick Gloree into marrying him by letting her believe that he was the man who’d been sent by her late husband to marry her. I also liked Gloree challenging Mack to ask God to show up.

“Railroaded into Love” by Rose Ross Zediker – (3.5 / 5) is another one where I feel like there needed to be at least a little more time to explore part of the story. I like the way that Molly took to the street urchin, and he clung to her kindness. But since Molly’s brother’s guilt or innocence was a big part of both the marriage of convenience and the rest of the plot, it didn’t get enough resolution, in my opinion. I think this feeling in more than one of these stories is due to the fact that I always prefer a romance be more in the background of a solid plot, and by necessity, the romance in stories as short as these tends to be pushed to the front.

In the end, though my overall rating for this collection isn’t great, there were a few gems in there that I’m really glad I read. The Old West setting isn’t my favorite, and I’m not a huge fan of short stories, but my husband brought the book home from the library for me, thinking I’d like it, and I always give his random book finds a try. I’m glad I did in this case, and I think that others who enjoy Christian romance from this time period will probably like more of these stories than I did.

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Book Review: All’s Fair in Love and Christmas

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All’s Fair in Love and Christmas
by Sarah Monzon

My rating: 4 / 5
Genre: Christian Christmas contemporary romance

Mackenzie Graham wants nothing more than to do her job without drawing attention to herself and without having to talk to people any more than necessary. So when she’s put into the spotlight as a contender for a promotion, against a man she’s had a crush on for two years, for a boss who has a history of promoting the people who show the most Christmas spirit, she will have to force herself out of her comfort zone. Jeremy Fletcher really needs that promotion, since he’s raising his twin niece and nephew after the deaths of their parents, so he plans to use his penchant for meticulous planning to win the promotion. Mackenzie throws a wrench in his plans, though, by being much more than the quiet co-worker he’d never really paid attention to before, now that she’s been thrust front and center for him.

This is bizarrely the 2nd book I’ve read this holiday season that has a lot of overlap with my own life. Mackenzie’s mom has Alzheimer’s and has days where she doesn’t remember Mackenzie and/or is extremely agitated. My mom had Lewy body dementia, which declined quickly, but during that time, we dealt with a lot of memory issues and agitated states (even before we knew that she had dementia). Also, I have social anxieties similar to Mackenzie, though mine seem to be a different flavor, so to speak. While I recognized a lot of the inner monologue and choices made to avoid being in the spotlight, I don’t think I could bring myself to do some of what Mackenzie does to try to win the promotion—though possibly with such a powerful motivator (needing to pay for her mom’s care), I could. There was a certain thing she does a few times to try to push herself to be more confident that I know I would never do, and that angle doesn’t really go anywhere anyway, so it’s a little strange in the story anyway.

I was a little thrown off by the many references to TV shows and movies at first, but I think that’s just because I don’t actually read a lot of contemporary fiction—more historical or even SFF. But even in those references, there were a lot made to shows and movies I love, so it made me feel all the more connected to both main characters. Jeremy’s little shudder over thinking about his pre-teen charges spending countless hours watching other people play video games on YouTube made me feel as seen as the reference to Mackenzie’s half-print/half-cursive style of writing. If I could stop here, this would probably have been a 5-star read for me.

There were a couple of things that stuck out to me throughout the story, though, that brought the rating down: I don’t care for 1st-person, present tense for one POV and 3rd-person, past tense for the other. It’s kind of a pet peeve of mine, especially since it almost never seems necessary to do it that way. I suspect the author wanted to be more “in the head” of Mackenzie, with her social issues, and didn’t feel the need to do that for Jeremy, but even then, why the present/past difference? And the Christian content was weirdly paced. I had seen this was marked as Christian, which is why I was surprised to see absolutely no references to God by 15% of the way into the book. There is, though, flirting and suggestive movements, lots of secular music and such, and then suddenly there’s a prayer and biblical reference that seem to come out of nowhere. To be clear, I do not expect every book marked Christian to be chock-full of prayers and references to God or even to have a solid Christian message or moral. But other than Mackenzie’s belief that her lack of faith keeps her from getting past her social issues (which I kinda wish had been explored more), I would never really know that these characters are Christians. Overall, though, I enjoyed the book. It contains a lot of Christmas charm and is not too sappy, as Christmas romances go. I recommend it for fans of Christmas romance, especially with some Christianity involved.

Thank you to Netgalley and Bethany House for providing me a copy of this book to review.

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Book Review: Not If I Save You First

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Not If I Save You First
by Ally Carter

My rating: 1.5 / 5
Genre: YA romance

When Maddie’s dad is injured in an attempt to kidnap the president’s wife, he leaves the Secret Service and moves to the middle of nowhere in Alaska with Maddie, forcing Maddie to leave behind her best friend Logan, the president’s son. After six years, a trouble-making, 16-year-old Logan is sent to stay with Maddie and her dad in Alaska, which is especially awkward for Maddie, since she hasn’t heard from Logan in those six years. But before she’s able to hash things out with him, Logan comes under threat from a mysterious assailant, and Maddie might be the only one who can help him.

I hate rating a book this low, but when I looked through the notes I took while reading this book, I couldn’t see giving it a higher rating. The premise was interesting, and the setting was pretty immersive, but that’s about all I can say for it. The characters are inconsistent and flat, and I particularly didn’t like Maddie and her extreme girliness. Simply by virtue of being the daughter of a once-Secret Service agent and living for six whole years in the wilds of Alaska, she manages to stay completely cool and even make silly quips in the face of a murderer. And I’m all for Maddie and Logan working out their issues, but the romance between them is unbelievable and overdramatic.

Then there’s the plot, which has so many holes and unbelievable bits that it feels like it was cobbled together just to drive the romance forward. Everyone makes stupid decisions along the way, and motivations tend to make no sense at all. Most of the examples I could give would be spoilers, but I will at least mention that I don’t understand why Logan wouldn’t be given at least a brief explanation about how things work in this tiny shack where he’s going to be staying when he first arrives, like where the bathroom is or where the actual room for taking baths is and that if the curtain in front of the kitchen is shut, it means someone’s naked in there! I guess the scene where Logan walks in on Maddie taking a bath is suppose to be romantic? Or funny? Maybe both? To me, it was incredibly cringe-worthy.

My 13-year-old daughter is currently about halfway through the book, and just tonight she told me that she was on the edge of her seat. I have a feeling she’ll like it more than I did, which is fine, because she’s actually closer to the target audience for the book. But I think that teenagers deserve better.

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Book Review: The Event

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The Event
The Creek Water Series #1
by Whitney Dineen

My rating: 2 / 5
Genre: Contemporary romance

Emmaline Frothingham left home to prove herself in the wide world, rather than let it always be assumed that she was dependent upon her family’s money. But an embarrassing moment at a work function leads to a life-changing event, and she returns home with the baby that resulted from that night, determined to work hard and keep her head held high in her judgmental hometown.

I normally stay away from contemporary romance, but I got this book for free so decided to give it a try. I appreciated the closeness of Emmie’s family, though at times they are a bit ridiculous. Right off the bat, she’s put into a difficult situation due to the meddling of her aunt, and though she certainly could have chosen not to go along with with the lie thrust upon her (that her baby’s father was a recently deceased fiancé of Emmie’s rather than a one-night-stand), there would be no plot if she had. I wrote down my prediction of a “twist” about 1/3 of the way through the book, though even in my notes I said that it would be ridiculous, yet it seemed obvious that it was heading that way, and yeah, it was. I won’t spoil it, but as twists go, it’s one that is not very surprising (I’m really not one who normally guesses correctly about twists, if that tells you anything) and requires far too many obvious contrivances in the plot. That doesn’t really make for a fun read.

On top of all of that, there’s the fairly extreme bullying, done both by the clear bullies but also by the other side, and the ridiculous amount of references to Emmie’s nursing apparatuses (I know that’s a terrible euphemism). If it hadn’t been such a quick read, I don’t know that I would have finished it. I’m sure the series continues on to showcase some of the side characters from this book, but I don’t plan to read further.

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Book Review: Abby’s Letters

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Abby’s Letters
Book #1
by Dana Romanin

My rating: 2.5 / 5
Genre: Christian YA romance

When 17-year-old Jane’s mom dies and leaves her and her 13-year-old sister Abby alone, Jane is determined to keep her sister out of foster care and does her best to pretend that her mom is still alive until she turns 18 and can file for guardianship of Abby.

The synopsis, as given above and the official one for this book, intrigued me a lot. The official synopsis includes an explanation for the title—thinking her mom is still alive, Abby writes letters to her, through which Jane comes to see a different side of her mom, who became an alcoholic after her husband’s death. This aspect intrigued me the most, especially considering the loss of my own mom earlier this year and hearing my sisters talk about a somewhat different mom than I really knew. Sadly, Abby’s letters don’t come into the book until much later than I expected and are mostly short and shallow. The connection they cause Jane to feel with her mom felt forced to me.  Instead, the plot was largely dwarfed by the all-too-common tropes often found in YA and/or romance. A love triangle casts a heavy shadow, and Jane lets herself be goaded into doing things she wouldn’t normally do because someone called her “boring,” thus making the character feel cliché and detracting from the otherwise strong personality I think the author was going for.

The book has 4 perspectives—all 3 sides of the love triangle and Abby. I felt it was a bit much at first, but I don’t really remember having any issues with it throughout the book (on the other hand, I don’t really need to see how perfectly perfect Jane and her body are from two male perspectives). I took issue with Jane’s seemingly cavalier treatment of both guys, though, as she would touch the friend on the chest or something, right in front of the boyfriend, as if she had no idea (at 17, mind you) of the intimacy of such a gesture.

Despite its shortcomings, the book did have some touching moments. I liked the conversion story, though it’s relegated to near the end of the book. It is a big part of the reason, though, that I am interested in seeing how this series continues, despite giving this book such a low rating. That and because I had an inkling that something was going on with Lindsey, who briefly turned the love triangle into a square, and the synopsis for the next book confirms my suspicions. As for this first book, though, it had the potential to be a poignant story about loss and discovery, but the love triangle and other YA/romance tropes got in the way.

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Book Review: Facing the Enemy

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Facing the Enemy
by DiAnn Mills

My rating: 2 / 5
Genre: Christian suspense, romance

The sudden death of her previously estranged brother leaves FBI Special Agent Risa Jacobs reeling and questioning her responsibility in the tragedy as well as her faith. Her partner, Gage Patterson, doesn’t understand when she resigns from the FBI to go back to teaching creative writing at a college, but he vows to keep working her brother’s case. But when a student turns in a writing assignment that is a spot-on eyewitness account of her brother’s murder, Risa finally has a lead to pursue and won’t be staying away from the FBI long.

This is the third DiAnn Mills book I’ve read, and though I did liked the first one, I’m starting to notice a trend in which I don’t get along well with her writing style. I often found myself confused and unable to grasp the meaning in the author’s choice of words. Dialog felt unnatural or stilted, especially during interviews with people involved in the investigations, and characters’ words didn’t always quite line up with each other’s. And sometimes, it seems like there’s subject-verb confusion that should have easily been caught by an editor. It’s a little difficult to explain, but I’ll share one quote that I think is a good example of what I mean. Said by a character: “Running didn’t keep them safe. But fear took over. Still am.” I promise, I’m not leaving anything out that would explain what the “Still am” refers to, or if I did, it’s because what it refers to is so separate from the rest of this quote that I didn’t realize that’s what it was supposed to connect with. And maybe plenty of people will read that line and just keep going, because the intent is clear enough (still am…running, I guess?). But for me, I can’t help but stop short and think, “Huh? Still am what? Huh?” And that takes me right out of the story. And since this is just one example of a lot of different lines that made me scratch my head, hopefully that gives a good enough understanding of why I struggled to get into this story.

The message in the book is good, though, and the main reason I gave it two stars is for the conversation with the psychologist, who I felt asked some good questions and really got to the heart of Risa’s grief, doubt, and self-blame. I wish it could have come a little earlier in the book to spare us some of the angst, but it was still appreciated. The relationship between the two MCs, on the other hand, also confused me. They’ve been partners for five years and are both already in love with each other (secretly) at the start of the story, yet sometimes it seems like they really have a lot to get to know about each other still. The writing assignment angle, which is what really caught my attention in the synopsis and made me want to try another DiAnn Mills book, hoping it would be more like the first one I read than the second, was a pretty big let-down for me. I also struggled with consistency issues in various places. I really dislike giving this low of a rating to any book, and I’ve found myself questioning my own ability to read and comprehend what I’m reading correctly, since I’ve so far been in the vast minority with my thoughts of this book and the previous one I didn’t care for. Please check out other reviews for different opinions, as most of them are positive so far, if you’re interested in the synopsis and/or genre.

Thank you to Netgalley and Tyndale House Publishers for providing me a copy of this book to review.
Publication date: September 5, 2023

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Book Review: Doon

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Doon
by Carey Corp & Lorie Langdon

My rating: 1 / 5
Genre: YA fantasy romance

When Veronica starts seeing a blond man in a kilt in various places, including in Scotland, where she travels with her best friend, she is certain there’s more going on than her mind playing tricks on her. Then she begins to hear about a mysterious land that is only accessible to those who learn the secret, and she just knows her visions are leading her there. Taking her best friend Mackenna along, she stumbles into the mythical land of Doon, where medieval meets modern, the blond man she’s been seeing is a prince, and an evil witch threatens to destroy the land.

Before I discuss plot or characters, I want to address the content. You may have seen in some places that this is a Christian book, though it’s not strongly advertised to be such. My first clue was the publisher, which is listed as Zondervan in some places. It’s actually published by Blink, a YA imprint of Zondervan, which purports to publish clean books. I would not call this book clean. It’s not explicit, but it’s way more graphic than I prefer, and there is even some language. After several references to “hot” and “delicious” guys, I knew this wasn’t going to be quite what I was expecting, but it really bothered me to see the references to “girly parts.” And then it got worse… I won’t go into more detail myself, but I think this review on Amazon is very comprehensive, even to the point of pointing out things that didn’t bother me.

As to the plot and characters, if the above paragraph was my only issue with the book, I might have given it 3-4 stars (though it’s hard to say, especially since it really is billed as Christian in some places, and that is a huge problem for me). But to make it worse, I didn’t like the characters at all. Veronica is far too concerned about the possible romance with Prince Jamie, to the point where it distracts her from way more important matters. The book is written in 1st person POV, mostly from Veronica’s perspective, but it switches to Mackenna sometimes. There’s barely any difference in their voices, so it’s really hard to remember when the switch has been made. The main difference is that Mackenna is super into musical theater, so much so that she often thinks and speaks imperatives like, “Sweet Baby Sondheim!” and, “For the love of Lerner and Loewe!” (who, by the way, made the musical Brigadoon, of which this book is a retelling, though I really know nothing about that). It’s a bit over the top, really…real people don’t talk like that. As for the supposedly swoon-worthy princes, as much as I dislike that term, the only way I can really say that they are such is because I’m told. Literally. Right there in the book, it tells me that Prince Jamie makes all of the girls swoon. Okay, so he’s unnaturally good-looking…being “swoon-worthy”, to me, is about much more than that, and Jamie is mostly just a jerk for much of the book. He has his reasons to keep Veronica at bay, but he also leads her on only to shut her completely out when he remembers that oh, she might be in league with the witch!

And so, that leads me to the issues with the plot. The evil witch has been banished from Doon, but is always looking for a way back in to destroy it. Every hundred years (real time), the bridge between the real world and Doon (the Brig o’ Doon) opens to allow people from the real world who have been called to Doon to enter and decide whether they want to stay. Because Veronica and Mackenna came 2 weeks before that time (though how the people of Doon know when it’s going to open, I don’t know, since the amount of time that passes between each Centennial fluctuates in Doon), most of the people of Doon assume they’re working for the witch. They used magical rings to get in, rings that had been used to pass through the barrier outside of the Centennial before, but that doesn’t matter. The possibility that they might be working with the witch is too high for them to be trusted. Except that while they wait for the bridge to open naturally, so the two newcomers can leave Doon and let everyone feel safe again, they take them on tours of the kingdom, let them spend time alone with the nation’s princes, and conveniently forget that they might be evil, so that the romances can progress. And why did no one take note of the incredibly obvious transformation taking place right under their noses?

Add to that the “Calling” angle that is equated to soulmates finding each other, which leaves me a bit puzzled. Are they saying that if two people are brought together by a Calling, then they will have a perfect marriage? Never have to work on it? Never even consider divorce. I don’t necessarily have a problem with the general idea of soulmates, as I believe God can and does bring two people together as part of his will (though it’s generally much less obvious in real life than the Calling is here, and we can more easily decide not to follow that leading). But it seems to me that two people who meet through a Calling could easily become lazy in their relationship because it was “meant to be” and end up even unhappier than two people who met the normal way. It’s a huge flaw in what is supposed to be a romantic story, if you ask me, but I suppose the reader isn’t really supposed to think too much past the “happily ever after” at the end of the current story. On the other hand, this series goes on to further books, so maybe the authors will delve into that more. I won’t be reading more though, so I’ll never know.

I learned long ago that I should avoid contemporary romance, because I rarely like it. Though part of this book takes place in a sort-of-in-the-past land, it’s still completely contemporary. Veronica and Mackenna both make sure the reader knows that the other is beautiful and adored by men, while each thinks of herself as plan, hideous, or whatever, which made me roll my eyes. All of the people of Doon have the same accent, yet whenever Jamie says Veronica’s name, it’s written as “Verranica,” yet everyone else just says her name normally…I guess because it’s supposed to be romantic? I don’t get it, and I didn’t really get this book. And I really don’t get why it was published by a company that is said to publish clean fiction and is associated with a Christian publisher.

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If you’ve read this book, or read it in the future, feel free to let me know what you think!