The Orchard House
by Heidi Chiavaroli

My rating: 3.5 / 5
Genre: Christian drama

After a difficult childhood, Taylor is adopted by her best friend’s parents. But sisterhood is not all it’s cracked up to be, and Taylor ends up leaving home at 21 with the determination to never see her family again. However, when informed 18 years later that her adopted mother is going through treatment for cancer, she returns home. But what starts as a brief visit turns into something more as old wounds are re-opened and this make-shift family struggles to make sense of present struggles. That’s when Taylor and her sister stumble across a story that captivates them and helps distract from real life. In the 1860s, the death of a soldier sparked a friendship between the soldier’s sister, Johanna, and Little Women author Louisa May Alcott. This friendship, and the life and marriage of Johanna, were hidden away for 150 years, to be discovered by Taylor and Victoria just when the story could most affect their lives.

I spent the first half of this book uncertain about a lot of it. Two different storylines had to be established–both the past and the present–and the present one covered several years in a few chapters. Even when the story slowed down and started unfolding in the present day, I struggled to get into it. Taylor’s adolescence had turned her into a confused, broken woman, and she essentially second-guessed her decisions, thoughts, emotions, and reactions every step of the way. And I questioned often what the past storyline had to do with the present one. It was a slow build, to be sure. It did pick up in the second half, but for a while, all I could think about was how terrible each of the characters seemed to be, in one way or the other.

The main thing that I really liked about the story was the way the Christian message was presented. While some reviewers found it “too religious,” I spent at least half the book wondering how on earth this had been labeled as Christian. But the slow build I mentioned earlier can also be applied to the way the main characters learned to first believe in and then trust in Someone bigger than themselves. Though in the end, I felt the “conversions” and overall Christian message were a little light, I still liked the way they shaped up.

There were some things in the book that confused me, and I re-read some passages more than once trying to understand. As an example, Louisa was said to have 2 sisters, but over the course of time 3 were mentioned–Anna, Nan, and Amy. However, Anna and Nan were the same person, and while the author did seem to realize we needed that explanation (I certainly did), it didn’t come until after the sister was referred to by both names at least once. There are other things that confused me too, but fortunately there was less of this in the second half too.

I think that people who love Louisa May Alcott’s books, or at least have read one or more of them, might enjoy this book. Though Louisa herself is only a small part of the story, her books and lasting effect on future fans are prevalent themes. I’ll admit to having a different view of a particular aspect of Little Women than the author (or at least than the main character), but as fiction, it’s certainly open to interpretation. If you’re looking for a light Christian read, this is not it. It’s full of drama and covers some dark topics such as abandonment, abuse (both physical and emotional), and betrayal. If you like time-split novels and stories about finding “home” or families trying to piece themselves back together, you might enjoy this book.

Thank you to Netgalley and Tyndale House Publishers, Inc. for providing me a copy of this book to review.

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